Students at VCFA are privileged to hear faculty and staff present their work at monthly readings in Cafe Anna. Not only can our teachers teach, they can write, as evidenced in October at an event featuring Visiting Faculty Elissa Schappell and Rob Spillman, as well as Visiting Designer and Poet Kevin Yuen-Kit Lo.
I was fortunate enough to be a student in Elissa Schappell’s fiction course “The Non-Traditional Story Form, Gateway to the Truth”. I knew from being in her class that she was smart, funny, and capable of giving the most amazing prompts: precise enough to get your juices flowing and your fingers typing, but loose enough to allow you to write something personal and powerful. What I didn’t know about Elissa was the depth of her experience: Not only was she a runner up for a Pen/Hemingway Award for her very first book (Use Me), but her work has appeared in numerous magazines, including Vogue, Spin and GQ. She writes book reviews for The New York Times. She was a Contributing Editor at Vanity Fair and a Senior Editor at The Paris Review. Finally, she and her husband Rob were co-founders of that iconic literary magazine Tin House.
Those of us here at VCFA are incredibly lucky to be able to study under such amazingly qualified writers. Incredibly. Lucky.
As I said before, Elissa is a smart and funny woman. Her tongue-in-cheek, hyperbolic story Re: Your Rape Story, had us laughing and giggling away. It’s a send-up of every persnickety and pushy editor we writer’s have ever–or will ever–deal with in our hopefully long careers. She uses the non-traditional story form of emails to show an editor who goes from applauding a writer for her courage, to asking that writer to change the story just a little bit, to asking that it be practically rewritten. All the while negotiations are going on regarding the contract and payment with the editors assuring the writer that she is on her side. So very funny.
Rob Spillman was next in the line up. In addition to co-founding Tin House, and being Elissa’s husband, he’s the recipient of many awards, including a Pen award for editing. He’s been the judge of many other awards, contests and fellowships.
Rob read the first chapter of his 2016 memoir All Tomorrow’s Parties, which tells the tale of being in Berlin in 1990, just before the Wall fell. He writes of navigating the fine line between reality and romanticism at such a momentous time in history. Invited to an illegal rave (before they knew what a rave was), speeding Vespas whisk Ron and Elissa away. As they pass the Berlin wall it appears “Faintly iridescent and glowing white”. They arrive at an old, disused ball-bearing factory–the site of the Rave. As they are led through the dark, they remember a variant of that old pirate warning: “Banish all bad thoughts….” Finally, on coming into the light of a cavernous dance floor they are met with music that was a cross of Donna Summer and Kraftwerk.
The tale was at turns entertaining, humorous and nerve-wracking, and now I am going to have to buy the book.
Kevin Yuen-Kit Lo
Finally designer Kevin Yuen-Kit Lo, from LOKI Design in Montréal, read from “Fragments,” the last issue of his lovely literary journal Four Minutes to Midnight. The poetry within is about the fall out of the 2012 student strike in Quebec. Tuition increases; non-liberal policies of a liberal government. Materialism and it’s bad effects versus Activism/Anarchy. Kevin writes using “fragments of other’s work, lines ‘stolen’ and reformed into poetry.” They are also quite compelling.
The next reading is November 8th, and features Lizzy Fox, Caitlin Leffel and James Scott. More on that next time, along with a run down of the Vermont Book Award Gala.